James M M Baldwin, Sergio de Companion, Jim

It is said, science fiction and fantasy are two separate things. Science fiction; the improbable made possible. Fantasy; the impossible made probable. But what happens when you mix these two opposites? Rod Serling,Twilight Zone The Fugitive 7/9/1962

Born into this mixture between science fiction and fantasy, speculative fiction author James M M Baldwin persists in these endeavors to this day.

After writing three to six hours a night, six nights a week (never on a Sunday), for 15 years, (that’s approximately 21,000 hours), I took a break from writing. From Memorial Day, 2017 to Labor Day, I didn’t write a tittle or a toddle (or a title). I did participate in the Nebraska Writers Workshop’s June Bits of Scripts facilitated by Sally J. Walker. That was a big success this year.

Island of Magic

Portals of Erzandor

You’d think, with that many hours writing I’d have more to show for it. Beside the two novels; SPENCER MURDOCH AND THE PRORTALS OF ERZANDOR and SPENCER MURDOCH AND THE ISLAND OF MAGIC. Beside my science fiction short story collection;  ORION’S ARM: TALES FROM THE MILKY WAY. Beside my horror collection; BEYOND THE VISUAL CORTEX: TALES FROM THE INNER REACHES OF THE MIND. Beside and my long form poetry collection on mental health topics; MENTALCHAOS. Beside the situation comedy, MOCKINGBIRD HEIGHTS, written for the 2016 NWW Bits of Scripts (yes it’s true, sometimes I think I’m funny). And besides turning my short story DREAM HUNTERS into a feature length sci-fi/fantasy/horror script. Besides all that. There’s one thing I’ve accomplished more than any other; rejection.

Beyond the Visual Cortex

Orion's Arm

Pursuing traditional publishing is a tricky path. Convincing an agent or publisher to invest in you is somewhat of a catch-twenty-two. You can’t get them to notice you without a record of successful publishing, and you can’t get that record without getting published (to a certain extent). With that said, Mockingbird Heights’ failure to place in the 2017 Omaha Film Festival (I might not be as funny as I think I am) registered as my 213^th rejection.

I think I've earned a break.

Tatanka, Sergio de Companion

During my hiatus, I finished several large art projects painting under the brush-name Serio de Companion. (If you had read Spencer Murdoch and the Portals of Erzandor, you’d know I stole the name from my own writing.) As Sergio, working religiously every Sunday, I’ve completed hundreds of works, many abstract, recently swinging almost 180 degrees, creating my own lineal contemporary style. I’ve not started counting gallery rejections. Not yet. While continuing my lineal contemporary series, I’m adding a ledger art line matching historical event drawings with antique ledger paper from the same years. If you’re interested in ledger art, take a look at the great Don Montileaux’s website.

Sergio de Companion Ledger Art

Mental Chaos

Another thing I seem to be good at (whether writing or painting) is ideas. I have lots of ideas. I have more ideas than I have time. In my writing que are two more novels and another screen play, but next on my list is my second poetry collection (yet unnamed).

Bottom line, you’ll see more of me in the future. Whether as James M M Baldwin, Sergio de Companion, or just plain Jim, I’ll be lurking around somewhere. You may have to scan a few asteroids. 

Peace and love, brothers and sisters.

Jim

Word-Art

In my last post, I whined about having too many irons in the fire. I'm happy to report that I finished one of my projects. Last night I presented the poetry lesson on word-art at the Nebraska Writers Workshop. Here is the piece I created using the knowledge from the lesson.



Haida
Raven Tribe Raven Tribe
Ancient sea warriors
Canoes with sixty paddlers
Sixty Great canoes
Great canoes carved from single red cedars
Sixty canoes with sixty paddlers
3000 Raven warriors
3000 Raven warriors
Pike adorned Canoes
Pikes for the heads of my enemies
Their women and children my slaves
Two hundred thousand moons
My ancestors came
Over the water from the setting sun
Sixty-eight-thousand seasons
My ancestors came
Across the icy sea
Filling the red cedar forests
Trading with the eagle tribe
the sea lion warriors
the river people
My totems tell the story
The mother of my mother's mother
Mother From Inside the Glacier
From the Direction of the North Wind
My people came
Filling the islands
Do not resist
I strike with honor
With the outside Edge of a Branch
You will taste bitter water
I will burn your bones
I will paint your skull
with Raven tribe symbols
With symbols of the raven people
I will paint your skull
Paint your skull



That's one project down, 285 to go.
Next up, synopsis.

Holed Up In the Bat Cave (Writing)

Yes, it's true. I've been absent. But trust me. it'll all be worth it. I'm holed up in the bat cave working on the next Spencer Murdoch novel tentatively titled "The Island of Magic." Stay tuned.
Peace
Jim

Rejection

So, you're a writer? Undoubtedly you've received a rejection letter. (unless you're some type of wonder-child) Maybe if your writing exhibits some hint of promise, you've been lucky enough to receive a personal rejection, and if you're real close, you might have even received some type of constructive criticism or a short note of advice. However, most rejections are the standard "form letter." Believe me, I've had my share. Before the end of 2012, I received my 145th rejection letter, 99th on this particular project.

I've studied how to write a query, with its various required parts. Less than a page including genre, word count, hook, pitch, and author bio. It takes some work to put one together. But no, this is not about the parts of a query. This is about the parts to a form rejection letter.

Part 1- "Thanks for offering us your project." This is the part where they subliminally tell you how great "they" are and how smart you were to try and get them to represent you. It's the "We know we are soooo great" part of the rejection.

Part 2- Right after letting you know how wonderful they are, comes the "No thanks. You Stink." Some subtle, others not so much. They say things like;
"I cannot take on projects unless I feel strongly about them. I'm sorry to say that it didn't happen with this one."
"I am afraid I must pass."
And the most common. "It's not quite the right fit for our Agency."

Part 3- "This is subjective. Now, please go bother someone else with your dreams of becoming published." Typically, they say, "This, of course, is just my opinion and others may feel differently." Duh! Thanks a lot.

Part 4- The final part is usually the, "Good luck when you find someone else to bother." There are variations on this too. There's " We wish you every success." or "I hope you find a great agent who will represent you with the enthusiasm that you deserve." If wishing me good luck actually gave me any luck, I'd be published a dozen times by now.

Finally. If you have received any of these common form rejections, take some solace in the fact that the dear agent at least had the courtesy to copy and paste. One recent rejection I received consisted of a mere three words. "Not for me." Wow! That took some thought. I should feel lucky they took three seconds to trash my hopes and dreams.

Have you ever received a form rejection? Did it contain all four parts? Did it contain anything unusual? Anything funny? Let me know. I'd love to hear from you.

Jim

Writer as Artist

In an e-conversation, a friend of mine, Doug Sasse, asked if I've noticed the similarities between writing and drawing?

This really got me thinking because, as an artist and a writer, I've often pondered this.

In both mediums you are telling a story. You put thousands of little marks on a blank surface to produce a final product. Both forms take hours to produce. You know what they say, "A picture is worth a thousand words." But there is one major difference between the two. With writing, the reader spends hours, days, sometimes weeks absorbing your work. On the other hand, with a painting or drawing, you spend hours and hours producing the work and the viewer usually gets the entire story in a few seconds. Sometimes they might spend a minute examining the work, but never much more.

Continuing our conversation, my friend clarified his opinion on the subject with the following.

Both mediums start with an idea or a subject. You sketch in broad strokes, blocking in the structure. Structure is important in both mediums. Each element has to not only stand on its own, but work with the other elements to be successful. I think they call that Gestalt. Drawing uses different values of light and dark, just as does character development. But then once the basic structure is in place, you refine, refine, refine, until you've completed all of the details. Drawing is a right-brain exercise; writing is, to a large extent, also a right-brained exercise, requiring intuition and creativity. In the end, both mediums create something artificial that, ironically, enhance its creator’s ability to see the world, while providing the viewer a greater appreciation of reality.

I'd like to thank my friend and fellow Nebraska Writers Workshop participant Doug Sasse for initiating this dialogue and giving my cause to think.

What do you think?

Jim

Agent Query Rejection

Other than the typical "We wish you the best of luck in finding a home for your work elsewhere,' here is a list of the Top 5 most creative rejections to my query letters.

#5. We urge you to submit your work to other agencies
#4. We hope you will soon find an agent with whom you can establish a productive relationship
#3.Our team appreciated the chance to hear about your project, however...
#2. Thanks so much, this looks very interesting, but...

And, the number 1, most creative rejection...
Thanks so much for thinking of us, but the story line is too close to something we are already considering. (Really? Are you kidding me?)

Have you received any out of the ordinary or particularly creative rejection letters? Let me know about it.